The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
Brady was born an American citizen in Tientsin, China, and traveled frequently as a child, spending time in Los Angeles, California, British Columbia, and Austin, Texas. She studied in the University of California system, receiving her bachelor's and master's degrees, and her Ph.D. in 1935. She next became an English instructor at that university's College of Agriculture, and worked as an assistant professor of languages and literature at Berkeley from 1941 to 1946. The following three years were spent at the University of Pennsylvania, until, at the end of 1949, Brady moved to teach at Central Oregon Community College; her resignation due to "ill health" was announced a few months later. After being named the 1952–53 Marion Talbot Fellow of the American Association of University Women and writing two articles, Brady's scholarship ceased for a quarter of a century. In 1979, and posthumously in 1983, her final two articles were published. (Full article...)
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The empire in 661, when it reached its greatest extent
The Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755–763) led to devastation and the decline of central authority during the latter half of the dynasty. Like the previous Sui dynasty, the Tang maintained a civil-service system by recruiting scholar-officials through standardised examinations and recommendations to office. The rise of regional military governors known as jiedushi during the 9th century undermined this civil order. The dynasty and central government went into decline by the latter half of the 9th century; agrarian rebellions resulted in mass population loss and displacement, widespread poverty, and further government dysfunction that ultimately ended the dynasty in 907. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han Contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A cannon is a large-caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon. The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed.
The earliest known depiction of cannons may have appeared in Song dynasty China as early as the 12th century; however, solid archaeological and documentary evidence of cannons do not appear until the 13th century. In 1288, Yuan dynasty troops are recorded to have used hand cannons in combat, and the earliest extant cannon bearing a date of production comes from the same period. By the end of the 14th century, cannons were widespread throughout Eurasia. (Full article...)
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The field shortly after the start.
The men's road race, a part of the cycling events at the 2008 Summer Olympics, took place on August 9 at the Urban Road Cycling Course in Beijing. It started at 11:00 China Standard Time (UTC+8), and was scheduled to last until 17:30 later that day. The 245.4-kilometre (152.5 mi) course ran north across the heart of the Beijing metropolitan area, passing such landmarks as the Temple of Heaven, the Great Hall of the People, Tiananmen Square and the Beijing National Stadium. After rolling over relatively flat terrain for 78.8 km (49.0 mi) north of the Beijing city center, the route entered a decisive circuit encompassing seven loops on a 23.8 km (14.8 mi) section up and down the Badaling Pass, including ramps as steep as a 10 percent gradient.
The race was won by the Spanish rider Samuel Sánchez in 6 hours, 23 minutes, 49 seconds, after a six-man breakaway group contested a sprint finish. It was the first medal in the men's individual road race for Spain. Davide Rebellin of Italy and Fabian Cancellara of Switzerland, finishing second and third place with the same time as Sánchez, received silver and bronze medals respectively for the event. The hot and humid conditions were in sharp contrast to the heavy rain weathered in the women's road race the following day. (Full article...)
... that although the Jesuit missionary He Tianzhang despised his "sad Chinese appearance", it allowed him to circumvent the Qing's ban on Christianity and enter China?
... that between 2006 and 2007, Stacy Hollowell worked for basketball teams in Qatar, China, Bahrain and Lithuania?
... that swimmer Jin Hao competed in eight events, the most of any participant, during the 2001 National Games of China, causing him to lose 4 kilograms (8.8 lb)?
... that the release of Mario Kart: Super Circuit in China was cancelled because of excessive video-game piracy in the country?
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
Beijing cuisine, also known as Jing cuisine, Mandarin cuisine and Peking cuisine and formerly as Beiping cuisine, is the local cuisine of Beijing, the national capital of China. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
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The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.
In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works. (Full article...)
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Song Dynasty officials listening to guqin. The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts.
Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. (Full article...)
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Titular inscription at the entrance to the "Yeren Cave" in Shennongjia
The yeren (Chinese: 野人, 'wild man') is a cryptid apeman reported to inhabit remote, mountainous regions of China, most famously in the Shennongjia Forestry District in the Hubei Province. Sightings of "hairy men" have remained constant since the Warring States Period circa 340 BC through the Tang dynasty (618–907 AD), before solidifying into the modern legend of the yeren. Generally, they are described as savage, strong, and fast-moving, living in mountain caves and descending only to raid villages in search of food or women.
Scientific interest in such apemen erupted in the 1950s and 1960s in conjunction with pseudoscientific discoveries relating to Bigfoot and the yeti, but pressure by the Maoist government to leave behind these kinds of legends and folk stories repressed further interest in the yeren until its dissolution in 1976. Afterwards, large expeditions were launched by the Chinese Academy of Sciences to investigate alleged eyewitness accounts, footprints, hairs, and bodies as "yeren fever" took hold, with scientists working with an unprecedented reliance on citizen science. The yeren was often speculated to be a far removed human relative, such as Gigantopithecus or Paranthropus robustus. All forwarded evidence of the creature originated from known animals — namely bears, monkeys, and gibbons — and scientific interest waned by the late 1980s. Nonetheless, organized yeren research still persists, though no serious scientific institutions recognize such apemen. (Full article...)
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Shamanism was the dominant religion of the Jurchen people of northeast Asia and of their descendants, the Manchu people. As early as the Jin dynasty (1115–1234), the Jurchens conducted shamanic ceremonies at shrines called tangse. There were two kinds of shamans: those who entered in a trance and let themselves be possessed by the spirits, and those who conducted regular sacrifices to heaven, to a clan's ancestors, or to the clan's protective spirits.
When Nurhaci (1559–1626), the chieftain of the Jianzhou Jurchens, who was originally a vassal to the Ming dynasty, unified other Jurchen tribes under his own rule and established the Later Jin dynasty in the early 17th century, he imposed the protective spirits of his clan, the Aisin Gioro, upon other clans, and often destroyed their shrines. As early as the 1590s, he placed shamanism at the center of his state's ritual, sacrificing to heaven before engaging in military campaigns. His son and successor Hong Taiji (1592–1643), who renamed the Jurchens "Manchu" and officially proclaimed the Qing dynasty (1644–1912) in 1636, further put shamanistic practices in the service of the state, notably by forbidding others to erect new tangse (shrines) for ritual purposes. In the 1620s and 1630s, the Qing ruler conducted shamanic sacrifices at the tangse of Mukden, the Qing capital. In 1644, as soon as the Qing seized Beijing to begin their conquest of China proper, they named it their new capital and erected an official shamanic shrine there. In the Beijingtangse and in the women's quarters of the Forbidden City, Qing emperors and professional shamans (usually women) conducted shamanic ceremonies until the abdication of the dynasty in 1912. (Full article...)
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Fernão Pires de Andrade (also spelled as Fernão Peres de Andrade; in contemporary sources, Fernam (Fernã) Perez Dandrade) (d. 1552) was a Portuguese merchant, pharmacist, and diplomat who worked under the explorer and colonial administrator Afonso de Albuquerque. His encounter with Ming China in 1517—after initial contacts by Jorge Álvares and Rafael Perestrello in 1513 and 1516, respectively—marked the resumption of direct European commercial and diplomatic contact with China. (Even though there were Europeans in Medieval China, notably Marco Polo, that period of contact had been interrupted by the fall of the Yuan dynasty.)
Although de Andrade's mission was initially a success that allowed a Portuguese embassy to proceed all the way to Beijing, relations were soon spoiled by culminating events that led to an extremely negative impression of the Portuguese in China. This included acts of his brother Simão that enraged the Chinese, false reports of the Portuguese being cannibals of kidnapped Chinese children and true reports of their conquest of Malacca, a loyal Ming tributary state. Normalized trade and relations between Portugal and the Ming dynasty would not resume until the late 1540s and the 1557 establishment of Portuguese rule over Macau. (Full article...)
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A statue of the Buddha representing Emperor Taiwu. The Northern Celestial Masters are an evolution of the DaoistWay of the Celestial Master (simplified Chinese: 天师道; traditional Chinese: 天師道; pinyin: Tiān Shī Dào) in the north of China during the Southern and Northern Dynasties. The Northern Celestial Masters were a continuation of the Way as it had been practiced in Sichuan province by Zhang Lu and his followers. After the community was forced to relocate in 215 CE, a group of Celestial Masters established themselves in Northern China. Kou Qianzhi, from a family who followed the Celestial Master, brought a new version of Celestial Master Daoism to the Northern Wei. The Northern Wei government embraced his form of Daoism and established it as the state religion, thereby creating a new Daoist theocracy that lasted until 450 CE. The arrival of Buddhism had great influence on the Northern Celestial Masters, bringing monasticism and influencing the diet of practitioners. Art produced in areas dominated by the Northern Celestial Masters also began to show Buddhist influence. When the theocracy collapsed, many Daoists fled to Louguan, which quickly became an important religious center. The Northern Celestial Masters survived as a distinct school at Louguan until the late 7th century CE, when they became integrated into the wider Daoist movement. (Full article...)
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The Ming treasure voyages were maritime expeditions undertaken by Ming China's treasure fleet between 1405 and 1433. The Yongle Emperor ordered the construction of the fleet in 1403. The grand project resulted in seven far-reaching ocean voyages to the coastal territories and islands of the South China Sea and Indian Ocean. Admiral Zheng He was commissioned to command the fleet for the expeditions. Six of the voyages occurred during the Yongle Emperor's reign (r. 1402–1424) and the seventh voyage occurred during the Xuande Emperor's reign (r. 1425–1435). The first three voyages reached up to Calicut on India's Malabar Coast, while the fourth voyage went as far as Hormuz in the Persian Gulf. In the last three voyages, the fleet traveled up to the Arabian Peninsula and East Africa.
The Chinese expeditionary fleet was heavily militarized and carried great amounts of treasures, which served to project Chinese power and wealth to the known world. They brought back many foreign ambassadors whose kings and rulers were willing to declare themselves tributaries of China. During the course of the voyages, they destroyed Chen Zuyi's pirate fleet at Palembang, captured the Sinhalese Kotte kingdom of King Alakeshvara, and defeated the forces of the Semudera pretender Sekandar in northern Sumatra. The Chinese maritime exploits brought many countries into China's tributary system and sphere of influence through both military and political supremacy, thus incorporating the states into the greater Chinese world order under Ming suzerainty. Moreover, the Chinese restructured and established control over an expansive maritime network in which the region became integrated and its countries became interconnected on an economic and political level. (Full article...)
Title page of a Song dynasty (c. 1100) edition of the I Ching
The I Ching or Yijing (Chinese: 易經, Mandarin:[î tɕíŋ]ⓘ), usually translated Book of Changes or Classic of Changes, is an ancient Chinese divination text that is among the oldest of the Chinese classics. The I Ching was originally a divination manual in the Western Zhou period (1000–750 BC). Over the course of the Warring States and early imperial periods (500–200 BC), it transformed into a cosmological text with a series of philosophical commentaries known as the Ten Wings. After becoming part of the Chinese Five Classics in the 2nd century BC, the I Ching was the basis for divination practice for centuries across the Far East and was the subject of scholarly commentary. Between the 18th and 20th centuries, it took on an influential role in Western understanding of East Asian philosophical thought.[1] As a divination text, the I Ching is used for a Chinese form of cleromancy known as I Ching divination in which bundles of yarrow stalks are manipulated to produce sets of six apparently random numbers ranging from 6 to 9. Each of the 64 possible sets corresponds to a hexagram, which can be looked up in the I Ching. The hexagrams are arranged in an order known as the King Wen sequence. The interpretation of the readings found in the I Ching has been discussed and debated over the centuries. Many commentators have used the book symbolically, often to provide guidance for moral decision-making, as informed by Confucianism, Taoism and Buddhism. The hexagrams themselves have often acquired cosmological significance and been paralleled with many other traditional names for the processes of change such as yin and yang and Wu Xing. (Full article...)
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Monks assembled outside the Sera Me Tratsang college of Sera Monastery in India in December 2006.
The origin of its name is attributed to a fact that during construction, the hill behind the monastery was covered with blooming wild roses (or "sera" in Tibetan). (An alternate etymology holds that the location that was surrounded by raspberry shrubs called 'Sewa' in Tibetan, that formed like a 'Rawa' in Tibetan, meaning "Fence".) (Full article...)
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Map of the Luoyang–Hulao campaign
The Battle of Hulao, (Chinese: 虎牢之戰) or Battle of Sishui (汜水之戰, Wade–Giles: Ssŭ Shui), was a decisive Tang victory over the rival Zheng and Hebei-based Xia polities during the transition from Sui to Tang. The battle took place during the Luoyang–Hulao campaign on 28 May 621 when a Xia army – led by Dou Jiande, ruler of Xia – was defeated attacking a smaller Tang army – led by Prince Li Shimin – entrenched at the strategic Hulao Pass.
Li launched the Luoyang–Hulao campaign in August 620, attacking eastwards and quickly besieging Wang Shichong, ruler of Zheng, in Luoyang. Zheng attempts to break the siege failed, and they appealed to Xia for help. In April 621, Dou led a Xia army of 100,000–120,000 troops westward to break the siege. Instead of retreating back to the Tang heartland in Shanxi, Li maintained the siege and took a small part of the Tang army further east to the Hulao Pass to block the Xia. A stalemate ensued for a few weeks; the Tang refused to fight outside of their positions, and the Xia refused to outflank Li or redirect their offensive to Shanxi. (Full article...)
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Sheng nü (Chinese: 剩女; pinyin: shèngnǚ), translated as 'leftover women' or 'leftover ladies', are women who remain unmarried in their late twenties and beyond in China. The term was popularized by the All-China Women's Federation. Most prominently used in China, the term has also been used colloquially to refer to women in India, North America, Europe, and other parts of Asia. The term compares unmarried women to leftover food and has gone on to become widely used in the mainstream media and has been the subject of several television series, magazine and newspaper articles, and book publications, focusing on the negative connotations and positive reclamation of the term. While initially backed and disseminated by pro-government media in 2007, the term eventually came under criticism from government-published newspapers two years later. Xu Xiaomin of The China Daily described the sheng nus as "a social force to be reckoned with" and others have argued the term should be taken as a positive to mean "successful women". The slang term, 3S or 3S Women, meaning "single, seventies (1970s), and stuck" has also been used in place of sheng nu.
The equivalent term for men, guang gun 'bare branches' is used to refer to men who do not marry and thus do not add 'branches' to the family tree. Similarly, shengnan (剩男) 'leftover men' has also been used. Scholars have noted that this term is not as commonly used as "leftover women" in Chinese society and that single males reaching a certain age will often be labeled as either 'golden bachelors' (黄金单身汉) or 'diamond single men' (钻石王老五). (Full article...)
Mulan was the first of three features produced primarily at the Disney animation studio at Disney-MGM Studios (now Disney's Hollywood Studios) in Bay Lake, Florida. Development for the film began in 1994, when a number of artistic supervisors were sent to China to receive artistic and cultural inspiration. (Full article...)
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19th-century illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
"The Painted Skin" (Chinese: 畫皮; pinyin: Huàpí) is a short story by the Chinese writer Pu Songling collected in Strange Tales from a Chinese Studio in 1740. Literary critics have recognised it as one of the best and best-known entries in Strange Tales; in particular, its textual detail and in-depth characterisation are lauded. "The Painted Skin" has also received numerous adaptations in popular media, especially in film. The story's original title has become a common phrase in Chinese vocabulary, "a synonym for duplicity that wears an outwardly human face but is inwardly demonic".
Set in Shandong, the story revolves around a Chinese scholar, Wang, who becomes infatuated with a demon disguised as a beautiful young maiden. They develop a romantic relationship which goes awry after Wang discovers her true identity. Thereafter, a Taoist priest's skills are put to the task of exorcising the demon; a fight between good and evil ensues. (Full article...)
Image 5Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 31Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 32Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 55Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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