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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script. When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in East Bengal (modern-day Bangladesh) in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script.

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 2 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 3 Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed] Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
    Territory of the Hoysalas and their neighbouring kingdoms in Western India, the Seuna Yadavas and Silharas in c. 1200[image reference needed]

    Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India. The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court. While most of the courtly textual production was in Kannada, an important corpus of monastic Vaishnava literature relating to Dvaita (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sanskrit. (Full article...)
  • Image 4 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 5 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 6 Durrell in Askania Nova, 1985 Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller. In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)

    Durrell in Askania Nova, 1985

    Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller.

    In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)
  • Image 7 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 8 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)
  • Image 9 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 10 Portrait by Alexander Bassano, 1882 Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)

    Portrait by Alexander Bassano, 1882

    Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India.

    Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria, a constitutional monarch, attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality. (Full article...)
  • Image 11 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 12 Gay at peak intensity before making landfall on India, on 8 November Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November. The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)

    Gay at peak intensity before making landfall on India, on 8 November

    Typhoon Gay, also known as the Kavali Cyclone of 1989, was a small but powerful tropical cyclone which caused more than 800 fatalities in and around the Gulf of Thailand in November 1989. The worst typhoon to affect the Malay Peninsula in thirty-five years, Gay originated from a monsoon trough over the Gulf of Thailand in early November. Owing to favorable atmospheric conditions, the storm rapidly intensified, attaining winds over 120 km/h (75 mph) by 3 November. Later that day, Gay became the first typhoon since 1891 to make landfall in Thailand, striking Chumphon Province with winds of 185 km/h (115 mph). The small storm emerged into the Bay of Bengal and gradually reorganized over the following days as it approached southeastern India. On 8 November, Gay attained its peak intensity as a Category 5-equivalent cyclone with winds of 260 km/h (160 mph). The cyclone then moved ashore near Kavali, Andhra Pradesh. Rapid weakening ensued inland, and Gay dissipated over Maharashtra early on 10 November.

    The typhoon's rapid development took hundreds of vessels by surprise, leading to 275 offshore fatalities. Of these, 91 occurred after an oil drilling ship, the Seacrest, capsized amid 6–11 m (20–36 ft) swells. Across the Malay Peninsula, 588 people died from various storm-related incidents. Several towns in coastal Chumphon were destroyed. Losses throughout Thailand totaled ฿11 billion (US $497 million). Striking India as a powerful cyclone, Gay damaged or destroyed about 20,000 homes in Andhra Pradesh, leaving 100,000 people homeless. In that country, 69 deaths and ₹410 million (US $25.3 million) in damage were attributed to Gay. (Full article...)
  • Image 13 Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)

    Kalidas (pronounced [kaːɭidaːs] transl. The Servant of Kali) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles.

    Kalidas, principally in Tamil, contained additional dialogue in Telugu and Hindi. While Rajalakshmi spoke Tamil, Venkatesan spoke only Telugu due to his lack of fluency in Tamil, and Prasad spoke only Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. Kalidas was shot in Bombay on the sets of India's first sound film Alam Ara (1931) and was completed in eight days. (Full article...)
  • Image 14 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
    Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 15 INS Vikrant in 1984 INS Vikrant (from Sanskrit vikrānta, "courageous") was a Majestic-class aircraft carrier of the Indian Navy. The ship was laid down as HMS Hercules for the British Royal Navy during World War II, but was put on hold when the war ended. India purchased the incomplete carrier in 1957, and construction was completed in 1961. Vikrant was commissioned as the first aircraft carrier of the Indian Navy and played a key role in enforcing the naval blockade of East Pakistan during the Indo-Pakistani War of 1971. In its later years, the ship underwent major refits to embark modern aircraft, before being decommissioned in January 1997. She was preserved as a museum ship in Naval Docks, Mumbai until 2012. In January 2014, the ship was sold through an online auction and scrapped in November 2014 after final clearance from the Supreme Court. (Full article...)

    INS Vikrant in 1984

    INS Vikrant (from Sanskrit vikrānta, "courageous") was a Majestic-class aircraft carrier of the Indian Navy. The ship was laid down as HMS Hercules for the British Royal Navy during World War II, but was put on hold when the war ended. India purchased the incomplete carrier in 1957, and construction was completed in 1961. Vikrant was commissioned as the first aircraft carrier of the Indian Navy and played a key role in enforcing the naval blockade of East Pakistan during the Indo-Pakistani War of 1971.

    In its later years, the ship underwent major refits to embark modern aircraft, before being decommissioned in January 1997. She was preserved as a museum ship in Naval Docks, Mumbai until 2012. In January 2014, the ship was sold through an online auction and scrapped in November 2014 after final clearance from the Supreme Court. (Full article...)
  • Image 16 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She was president of the Folklore Society from 1953 to 1955, and published widely. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–1903, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple, and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She was president of the Folklore Society from 1953 to 1955, and published widely.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–1903, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple, and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 17 The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
    The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. The medieval era spans several periods of time from the earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi which was the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit.

    In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
  • Image 18 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 19 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 20 A Bengal tigress in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)

    A Bengal tigress in Kanha Tiger Reserve, India

    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 21 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics.

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 22 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 23 Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 24 Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects. Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
    Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

    Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
  • Image 25 Koechlin in 2017 Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India. Born in Pondicherry, India, Koechlin was drawn to theatre from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theatre company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-wrote the crime thriller That Girl in Yellow Boots (2011). (Full article...)

    Koechlin in 2017

    Kalki Koechlin (/ˈkʌlki kɛˈklæ̃/ ⓘ; born 10 January 1984) is a French actress and writer who works in films and stage. Known for her unconventional body of work, particularly in Hindi films, she is the recipient of several accolades, including a National Film Award and a Filmfare Award. Although a French citizen, she has been raised and lived most of her life in India.

    Born in Pondicherry, India, Koechlin was drawn to theatre from a young age. She studied drama at Goldsmiths, University of London, and worked simultaneously with a local theatre company. After returning to India, she made her Hindi film debut as Chanda in the black comedy-drama Dev.D. (2009), winning the Filmfare Award for Best Supporting Actress. She subsequently starred in two of the highest-grossing Hindi films of their respective years, the comedy-dramas Zindagi Na Milegi Dobara (2011) and Yeh Jawaani Hai Deewani (2013), both of which garnered her nominations for the Filmfare Award for Best Supporting Actress. Koechlin also starred in and co-wrote the crime thriller That Girl in Yellow Boots (2011). (Full article...)
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  • Image 1 Satellite image of the storm near landfall The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11. In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)

    Satellite image of the storm near landfall

    The 1995 India cyclone was a tropical cyclone that struck southeastern India which later spawned a rare snowstorm in Nepal, triggering the deadliest mountain trekking incident in the country's history in November 1995. The storm originated from the monsoon trough on November 7 in the Bay of Bengal, east of India, becoming the penultimate storm of the 1995 North Indian Ocean cyclone season. Moving northwestward, the system gradually intensified while moving toward land, eventually developing an eye in the middle of the convection. Reaching peak winds of at least 120 km/h (75 mph), the India Meteorological Department (IMD) classified the system as a very severe cyclonic storm on November 8, in line with intensity estimates from the American-based Joint Typhoon Warning Center (JTWC). On November 9, the cyclone made landfall near the border of Andhra Pradesh and Orissa. A typical for most November storms, the system continued to the north and dissipated over Nepal on November 11.

    In India, the cyclone's strong winds were accompanied by heavy rainfall and a storm surge of 1.5 m (4.9 ft) that inundated the coastline several hundred feet inland. Power lines, crops, and houses were damaged, and many boats were damaged, causing several nautical fatalities. The cyclone killed at least 128 people in India, with hundreds remaining unaccounted for, and damage was estimated at RS$1.1 billion (US$32.2 million). In neighboring Bangladesh, high waves killed 45 people after sinking or sweeping away four ships. The cyclone later spawned a rare November snowstorm across eastern Nepal, with depths reaching 2,000 mm (79 in). The snowfall occurred without warning amid the busy mountain trekking season, and there were several avalanches and landslides across the country. One such incident killed 24 people at a lodge near Gokyo, and there were 63 deaths related to the cyclone in the country. The Nepal government launched the largest search and rescue mission in the country's history, rescuing 450 people, some of whom trapped for days in the snow. (Full article...)
  • Image 2 Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century. The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)

    Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime

    Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century.

    The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)
  • Image 3 Idries Shah (/ˈɪdrɪs ˈʃɑː/; Hindi: इदरीस शाह, Pashto: ادريس شاه, Urdu: ادریس شاه; 16 June 1924 – 23 November 1996), also known as Idris Shah, Indries Shah, né Sayed Idries el-Hashimi (Arabic: سيد إدريس هاشمي) and by the pen name Arkon Daraul, was an Afghan author, thinker and teacher in the Sufi tradition. Shah wrote over three dozen books on topics ranging from psychology and spirituality to travelogues and culture studies. Born in British India, the descendant of a family of Afghan nobles on his father's side and a Scottish mother, Shah grew up mainly in England. His early writings centred on magic and witchcraft. In 1960 he established a publishing house, Octagon Press, producing translations of Sufi classics as well as titles of his own. His seminal work was The Sufis, which appeared in 1964 and was well received internationally. In 1965, Shah founded the Institute for Cultural Research, a London-based educational charity devoted to the study of human behaviour and culture. A similar organisation, the Institute for the Study of Human Knowledge (ISHK), was established in the United States under the directorship of Stanford University psychology professor Robert Ornstein, whom Shah appointed as his deputy in the U.S. (Full article...)

    Idries Shah (/ˈɪdrɪs ˈʃɑː/; Hindi: इदरीस शाह, Pashto: ادريس شاه, Urdu: ادریس شاه; 16 June 1924 – 23 November 1996), also known as Idris Shah, Indries Shah, né Sayed Idries el-Hashimi (Arabic: سيد إدريس هاشمي) and by the pen name Arkon Daraul, was an Afghan author, thinker and teacher in the Sufi tradition. Shah wrote over three dozen books on topics ranging from psychology and spirituality to travelogues and culture studies.

    Born in British India, the descendant of a family of Afghan nobles on his father's side and a Scottish mother, Shah grew up mainly in England. His early writings centred on magic and witchcraft. In 1960 he established a publishing house, Octagon Press, producing translations of Sufi classics as well as titles of his own. His seminal work was The Sufis, which appeared in 1964 and was well received internationally. In 1965, Shah founded the Institute for Cultural Research, a London-based educational charity devoted to the study of human behaviour and culture. A similar organisation, the Institute for the Study of Human Knowledge (ISHK), was established in the United States under the directorship of Stanford University psychology professor Robert Ornstein, whom Shah appointed as his deputy in the U.S. (Full article...)
  • Image 4 The Dirty Picture is a 2011 Indian Hindi-language musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it. Produced on a budget of ₹18 crore (US$2.1 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
    The Dirty Picture is a 2011 Indian Hindi-language musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe. The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it.

    Produced on a budget of ₹18 crore (US$2.1 million), The Dirty Picture was released worldwide on 2 December 2011 (the anniversary of Smitha's birth), in Hindi, Telugu and Tamil versions. Vidya Balan, Emraan Hashmi, Naseeruddin Shah and Tusshar Kapoor star in lead roles. Upon release, it was a critical and commercial success, with Balan's performance receiving widespread critical acclaim and numerous accolades; she was called "the hero of the film". In addition, the film has received high praise for portraying women as powerful, contributing something unique to a typically male-dominated society. The film's soundtrack, composed by Vishal–Shekhar with lyrics written by Rajat Aroraa, also became a commercial success with the song "Ooh La La" become one of the chartbusters of the year. (Full article...)
  • Image 5 The 2020–21 season was the 101st season of Sporting Club East Bengal (EB or SCEB). Established in 1920, the club celebrated its centennial on 1 August 2020. Due to the COVID-19 pandemic, the Indian football season started on 1 August 2020 and is scheduled to end on 31 May 2021, with competitive matches occurring between November and March. The club competed in the Indian Super League (ISL) for the first time and finished their first ISL season in ninth place with 17 points. Before the start of the season, East Bengal was very active in the transfer market. The club precontracted over 20 Indian players with many signing long-term contracts and being assigned to the reserve team. Only a few players were retained from the previous season. Of them, Prakash Sarkar and Boithang Haokip were not registered in the ISL squad. East Bengal and Quess Corp's joint venture was terminated, and the club inked a partnership with Shree Cement as their principal investor in September. Robbie Fowler was appointed as the team's head coach. Forward Bright Enobakhare was signed in the winter transfer window as the seventh foreigner. Another foreign player, Callum Woods, was also signed as a reserve defender. (Full article...)
    The 2020–21 season was the 101st season of Sporting Club East Bengal (EB or SCEB). Established in 1920, the club celebrated its centennial on 1 August 2020. Due to the COVID-19 pandemic, the Indian football season started on 1 August 2020 and is scheduled to end on 31 May 2021, with competitive matches occurring between November and March. The club competed in the Indian Super League (ISL) for the first time and finished their first ISL season in ninth place with 17 points.

    Before the start of the season, East Bengal was very active in the transfer market. The club precontracted over 20 Indian players with many signing long-term contracts and being assigned to the reserve team. Only a few players were retained from the previous season. Of them, Prakash Sarkar and Boithang Haokip were not registered in the ISL squad. East Bengal and Quess Corp's joint venture was terminated, and the club inked a partnership with Shree Cement as their principal investor in September. Robbie Fowler was appointed as the team's head coach. Forward Bright Enobakhare was signed in the winter transfer window as the seventh foreigner. Another foreign player, Callum Woods, was also signed as a reserve defender. (Full article...)
  • Image 6 India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964. The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
    India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964.

    The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 7 Businessman is a 2012 Indian Telugu-language action crime film directed and written by Puri Jagannadh and produced by R. R. Venkat under the banner R. R. Movie Makers. It is based from a concept by Ram Gopal Varma and stars an ensemble cast featuring Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde, Raza Murad, Subbaraju and Brahmaji. In the film, Vijay Surya arrives at Mumbai with aspirations to rule the city due to his grudge against the corrupt system in the country, but begins to face violent challenges from the cops and his enemies. S. Thaman composed the music, while Shyam K. Naidu and M. S. Rajashekhar Reddy (S. R. Shekhar) handled the cinematography and editing. The film was made with a budget of ₹40 crore and was launched formally on 15 August 2011 in Hyderabad. Principal photography began on 2 September 2011 and was shot in Hyderabad, Mumbai and Goa. A few song sequences were shot in Bangkok. Filming ended on 10 December 2011 in 74 working days, making as one of the shortest periods in which a Telugu film has been shot. (Full article...)
    Businessman is a 2012 Indian Telugu-language action crime film directed and written by Puri Jagannadh and produced by R. R. Venkat under the banner R. R. Movie Makers. It is based from a concept by Ram Gopal Varma and stars an ensemble cast featuring Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde, Raza Murad, Subbaraju and Brahmaji. In the film, Vijay Surya arrives at Mumbai with aspirations to rule the city due to his grudge against the corrupt system in the country, but begins to face violent challenges from the cops and his enemies.

    S. Thaman composed the music, while Shyam K. Naidu and M. S. Rajashekhar Reddy (S. R. Shekhar) handled the cinematography and editing. The film was made with a budget of ₹40 crore and was launched formally on 15 August 2011 in Hyderabad. Principal photography began on 2 September 2011 and was shot in Hyderabad, Mumbai and Goa. A few song sequences were shot in Bangkok. Filming ended on 10 December 2011 in 74 working days, making as one of the shortest periods in which a Telugu film has been shot. (Full article...)
  • Image 8 Shashthi, Shashti, Soshthi or Chhathi (Sanskrit: षष्ठी, Bengali: ষষ্ঠী, Bhojpuri: छठी, Hindi: षष्ठी, Ṣaṣṭhī, literally "sixth") is a Hindu goddess, venerated in Nepal and India as the benefactor and protector of children. She is also the deity of vegetation and reproduction and is believed to bestow children and assist during childbirth. She is often pictured as a motherly figure, riding a cat and nursing one or more infants. She is symbolically represented in a variety of forms, including an earthenware pitcher, a banyan tree or part of it or a red stone beneath such a tree; outdoor spaces termed Shashthi Tala are also consecrated for her worship. The worship of Shashthi is prescribed to occur on the sixth day of each lunar month of the Hindu calendar as well as on the sixth day after a child's birth. Barren women desiring to conceive and mothers seeking to ensure the protection of their children will worship Shashthi and request her blessings and aid. She is especially venerated in eastern India. Also known as Chhathi Maiya (छठी मईया), the sixth form of Devi Prakriti and Lord Surya's sister is worshipped during Chhath Puja. It is celebrated six days after Deepavali, on the sixth day of the lunar month of Kartika (October–November) in the Hindu calendar Vikram Samvat. The rituals are observed over four days. They include holy bathing, fasting and abstaining from drinking water (vrata), standing in water, and offering prasad (prayer offerings) and arghya to the setting and rising sun. Some devotees also perform a prostration march as they head for the river banks. (Full article...)

    Shashthi, Shashti, Soshthi or Chhathi
    (Sanskrit: षष्ठी, Bengali: ষষ্ঠী, Bhojpuri: छठी, Hindi: षष्ठी, Ṣaṣṭhī, literally "sixth") is a Hindu goddess, venerated in Nepal and India as the benefactor and protector of children. She is also the deity of vegetation and reproduction and is believed to bestow children and assist during childbirth. She is often pictured as a motherly figure, riding a cat and nursing one or more infants. She is symbolically represented in a variety of forms, including an earthenware pitcher, a banyan tree or part of it or a red stone beneath such a tree; outdoor spaces termed Shashthi Tala are also consecrated for her worship. The worship of Shashthi is prescribed to occur on the sixth day of each lunar month of the Hindu calendar as well as on the sixth day after a child's birth. Barren women desiring to conceive and mothers seeking to ensure the protection of their children will worship Shashthi and request her blessings and aid. She is especially venerated in eastern India.

    Also known as Chhathi Maiya (छठी मईया), the sixth form of Devi Prakriti and Lord Surya's sister is worshipped during Chhath Puja. It is celebrated six days after Deepavali, on the sixth day of the lunar month of Kartika (October–November) in the Hindu calendar Vikram Samvat. The rituals are observed over four days. They include holy bathing, fasting and abstaining from drinking water (vrata), standing in water, and offering prasad (prayer offerings) and arghya to the setting and rising sun. Some devotees also perform a prostration march as they head for the river banks. (Full article...)
  • Image 9 9th century sandstone sculpture of Kubera Origin: Candi Sewu, Java, Indonesia Kubera (Sanskrit: कुबेर, IAST: Kubera) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as the regent of the north (Dikpala), and a protector of the world (Lokapala). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Vedic-era texts, Kubera acquired the status of a deva (god) only in the Puranas and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. (Full article...)

    9th century sandstone sculpture of Kubera
    Origin: Candi Sewu, Java, Indonesia

    Kubera (Sanskrit: कुबेर, IAST: Kubera) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as the regent of the north (Dikpala), and a protector of the world (Lokapala). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club.

    Originally described as the chief of evil spirits in Vedic-era texts, Kubera acquired the status of a deva (god) only in the Puranas and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. (Full article...)
  • Image 10 A statue of a girl with a bird, 2nd Century CE, found at Arikamedu Arikamedu is an archaeological site in Southern India, in Kakkayanthope, Ariyankuppam Commune, Puducherry. It is 4 kilometres (2.5 mi) from the capital, Pondicherry of the Indian territory of Puducherry. Sir Mortimer Wheeler 1945, and Jean-Marie Casal conducted archaeological excavations there in 1947–1950. The site was identified as the port of Podouke, known as an "emporium" in the Periplus of the Erythraean Sea and Ptolemy. Digs have found Amphorae, Arretine ware, Roman lamps, glassware, glass and stone beads, and gems at the site. Based on these excavations, Wheeler concluded that the Arikamedu was a Greek (Yavana) trading post that traded with Rome, starting during the reign of Augustus Caesar, and lasted about two hundred years—from the late first century BCE to the first and second centuries CE. Subsequent investigation by Vimala Begley from 1989 to 1992 modified this assessment, and now place the period of settlement from the 2nd century BCE to the 8th century CE. (Full article...)

    A statue of a girl with a bird, 2nd Century CE, found at Arikamedu

    Arikamedu is an archaeological site in Southern India, in Kakkayanthope, Ariyankuppam Commune, Puducherry. It is 4 kilometres (2.5 mi) from the capital, Pondicherry of the Indian territory of Puducherry.

    Sir Mortimer Wheeler 1945, and Jean-Marie Casal conducted archaeological excavations there in 1947–1950. The site was identified as the port of Podouke, known as an "emporium" in the Periplus of the Erythraean Sea and Ptolemy. Digs have found Amphorae, Arretine ware, Roman lamps, glassware, glass and stone beads, and gems at the site. Based on these excavations, Wheeler concluded that the Arikamedu was a Greek (Yavana) trading post that traded with Rome, starting during the reign of Augustus Caesar, and lasted about two hundred years—from the late first century BCE to the first and second centuries CE. Subsequent investigation by Vimala Begley from 1989 to 1992 modified this assessment, and now place the period of settlement from the 2nd century BCE to the 8th century CE. (Full article...)
  • Image 11 The Voice is an Indian Hindi-language singing reality talent show, based on the original Dutch version of the program created by John de Mol and is part of a wider international franchise. The series employs a panel of four coaches who critique the artists' performances. Each coach guides their team of selected artists through the remainder of the season. They also compete to ensure that their act wins the competition, thus making them the winning coach. The show first aired on 6 June 2015 on &TV and has aired for three seasons; it has produced three winners: Pawandeep Rajan, Farhan Sabir and Sumit Saini. (Full article...)
    The Voice is an Indian Hindi-language singing reality talent show, based on the original Dutch version of the program created by John de Mol and is part of a wider international franchise. The series employs a panel of four coaches who critique the artists' performances. Each coach guides their team of selected artists through the remainder of the season. They also compete to ensure that their act wins the competition, thus making them the winning coach.

    The show first aired on 6 June 2015 on &TV and has aired for three seasons; it has produced three winners: Pawandeep Rajan, Farhan Sabir and Sumit Saini. (Full article...)
  • Image 12 View of the Arunachalesvara temple towers from the Arunachala hill The Arunachalesvara Temple or Annamalaiyar Temple or Tiruvannamalai Temple is a Hindu temple dedicated to the god Shiva and goddess Parvati. located at the base of Arunachala hill in the town of Tiruvannamalai in Tamil Nadu, India. It is significant to the Hindu sect of Shaivism as one of the temples associated with the five elements, the Pancha Bhuta Sthalas, and specifically the element of fire, or Agni. Shiva is worshiped as Arunachalesvara or Annamalaiyar, and is represented by the lingam, with his idol being referred to as Agni lingam. Parvati is worshipped as Unnamalai or Apitakuchambal, and is represented by the yoni, with her idol being referred to as Agni yoni. The two presiding deities is revered in the 7th century CE Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the Nayanars and classified as Paadal Petra Sthalam. The 9th century CE Shaiva saint poet Manikkavacakar composed the Tiruvempavai here. (Full article...)

    View of the Arunachalesvara temple towers from the Arunachala hill

    The Arunachalesvara Temple or Annamalaiyar Temple or Tiruvannamalai Temple is a Hindu temple dedicated to the god Shiva and goddess Parvati. located at the base of Arunachala hill in the town of Tiruvannamalai in Tamil Nadu, India. It is significant to the Hindu sect of Shaivism as one of the temples associated with the five elements, the Pancha Bhuta Sthalas, and specifically the element of fire, or Agni.

    Shiva is worshiped as Arunachalesvara or Annamalaiyar, and is represented by the lingam, with his idol being referred to as Agni lingam. Parvati is worshipped as Unnamalai or Apitakuchambal, and is represented by the yoni, with her idol being referred to as Agni yoni. The two presiding deities is revered in the 7th century CE Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the Nayanars and classified as Paadal Petra Sthalam. The 9th century CE Shaiva saint poet Manikkavacakar composed the Tiruvempavai here. (Full article...)
  • Image 13 Birbhum district (Bengali pronunciation: [biːrbʰuːm]) is an administrative unit in the Indian state of West Bengal. It is the northernmost district of Burdwan division—one of the five administrative divisions of West Bengal. The district headquarters is in Suri. Other important cities are Bolpur, Rampurhat and Sainthia. Jamtara, Dumka and Pakur districts of the state of Jharkhand lie at the western border of this district; the border in other directions is covered by the districts of Bardhaman of Purba Bardhaman, Paschim Bardhaman and Murshidabad of West Bengal. Often called "the land of red soil", Birbhum is noted for its topography and its cultural heritage which is somewhat different from the other districts in West Bengal. The western part of Birbhum is a bushy region, a part of the Chota Nagpur Plateau. This region gradually merges with the fertile alluvial farmlands in the east. (Full article...)

    Birbhum district (Bengali pronunciation: [biːrbʰuːm]) is an administrative unit in the Indian state of West Bengal. It is the northernmost district of Burdwan division—one of the five administrative divisions of West Bengal. The district headquarters is in Suri. Other important cities are Bolpur, Rampurhat and Sainthia. Jamtara, Dumka and Pakur districts of the state of Jharkhand lie at the western border of this district; the border in other directions is covered by the districts of Bardhaman of Purba Bardhaman, Paschim Bardhaman and Murshidabad of West Bengal.

    Often called "the land of red soil", Birbhum is noted for its topography and its cultural heritage which is somewhat different from the other districts in West Bengal. The western part of Birbhum is a bushy region, a part of the Chota Nagpur Plateau. This region gradually merges with the fertile alluvial farmlands in the east. (Full article...)
  • Image 14 Chennai Express is a 2013 Indian Hindi-language action comedy film directed by Rohit Shetty and produced by UTV Motion Pictures and Red Chillies Entertainment. It stars Shah Rukh Khan, Deepika Padukone and with Nikitin Dheer and Sathyaraj in supporting roles. The film revolves around Rahul Mithaiwala, a businessman who accidentally boards the eponymous train and journeys from Mumbai to Rameswaram with the daughter of an influential crimeboss. The first planned collaboration between Khan and Shetty was a remake of Angoor (1982). The script of Chennai Express, which was initially written as a backup project for Khan, was chosen instead. Conceived as a "commercial romance", the film was originally titled Ready Steady Po. Filming began in Mehboob Studio in October 2012 and was completed by May 2013. A large part of the film was set in Ooty, for which sets were constructed in Wai and also in Ramoji Film City. The soundtrack for Chennai Express was composed by Vishal–Shekhar, with the background score being composed by Amar Mohile. UTV Motion Pictures came on board as producer and distributor, marking its first active project with Khan after Swades (2004). (Full article...)
    Chennai Express is a 2013 Indian Hindi-language action comedy film directed by Rohit Shetty and produced by UTV Motion Pictures and Red Chillies Entertainment. It stars Shah Rukh Khan, Deepika Padukone and with Nikitin Dheer and Sathyaraj in supporting roles. The film revolves around Rahul Mithaiwala, a businessman who accidentally boards the eponymous train and journeys from Mumbai to Rameswaram with the daughter of an influential crimeboss.

    The first planned collaboration between Khan and Shetty was a remake of Angoor (1982). The script of Chennai Express, which was initially written as a backup project for Khan, was chosen instead. Conceived as a "commercial romance", the film was originally titled Ready Steady Po. Filming began in Mehboob Studio in October 2012 and was completed by May 2013. A large part of the film was set in Ooty, for which sets were constructed in Wai and also in Ramoji Film City. The soundtrack for Chennai Express was composed by Vishal–Shekhar, with the background score being composed by Amar Mohile. UTV Motion Pictures came on board as producer and distributor, marking its first active project with Khan after Swades (2004). (Full article...)
  • Image 15 There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)

    There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)
  • Image 16 Anurag at IFFK 2022 Anurag Kashyap (born 10 September 1972) is an Indian filmmaker and actor known for his works in Hindi cinema and Tamil films. He is the recipient of four Filmfare Awards. For his contributions to films, the Government of France made him a Knight of the Order of Arts and Letters in 2013. After writing a television serial, Kashyap got his major break as a co-writer in Ram Gopal Varma's crime drama Satya (1998) and made his directorial debut with Paanch, which never had a theatrical release due to censorship issues. He then went on to direct Black Friday (2004), a film based on the namesake book by Hussain Zaidi about the 1993 Bombay bombings. Its release was held up for two years by the District Board of Film Certification because of the pending verdict of the case at that time but was released in 2007 to widespread critical appreciation. Kashyap's follow-up, No Smoking (2007) met with negative reviews and performed poorly at the box-office. His next venture Dev.D (2009), a modern adaptation of Devdas received positive reviews and was a commercial success; followed by the socio-political drama Gulaal (2009), and the thriller That Girl in Yellow Boots (2011). (Full article...)

    Anurag at IFFK 2022

    Anurag Kashyap (born 10 September 1972) is an Indian filmmaker and actor known for his works in Hindi cinema and Tamil films. He is the recipient of four Filmfare Awards. For his contributions to films, the Government of France made him a Knight of the Order of Arts and Letters in 2013.

    After writing a television serial, Kashyap got his major break as a co-writer in Ram Gopal Varma's crime drama Satya (1998) and made his directorial debut with Paanch, which never had a theatrical release due to censorship issues. He then went on to direct Black Friday (2004), a film based on the namesake book by Hussain Zaidi about the 1993 Bombay bombings. Its release was held up for two years by the District Board of Film Certification because of the pending verdict of the case at that time but was released in 2007 to widespread critical appreciation. Kashyap's follow-up, No Smoking (2007) met with negative reviews and performed poorly at the box-office. His next venture Dev.D (2009), a modern adaptation of Devdas received positive reviews and was a commercial success; followed by the socio-political drama Gulaal (2009), and the thriller That Girl in Yellow Boots (2011). (Full article...)
  • Image 17 Chhinnamasta, 19th century lithograph Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā :"She whose head is severed"), often spelled Chinnamasta, and also called Chhinnamastika, Chhinnamasta Kali, Prachanda Chandika and Jogani Maa (in western states of India), is a Hindu goddess (Devi). She is one of the Mahavidyas, ten goddesses from the esoteric tradition of Tantra, and a ferocious aspect of Mahadevi, the Hindu Mother goddess. The self-decapitated nude goddess, usually standing or seated on a divine copulating couple, holding her own severed head in one hand and a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants. Chhinnamasta is a goddess of contradictions. She symbolises both aspects of Devi: a life-giver and a life-taker. She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation. She represents death, temporality, and destruction as well as life, immortality, and recreation. The goddess conveys spiritual self-realization and the awakening of the kundalini – spiritual energy. The legends of Chhinnamasta emphasise her self-sacrifice – sometimes coupled with a maternal element – sexual dominance, and self-destructive fury. (Full article...)

    Chhinnamasta, 19th century lithograph

    Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā :"She whose head is severed"), often spelled Chinnamasta, and also called Chhinnamastika, Chhinnamasta Kali, Prachanda Chandika and Jogani Maa (in western states of India), is a Hindu goddess (Devi). She is one of the Mahavidyas, ten goddesses from the esoteric tradition of Tantra, and a ferocious aspect of Mahadevi, the Hindu Mother goddess. The self-decapitated nude goddess, usually standing or seated on a divine copulating couple, holding her own severed head in one hand and a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants.

    Chhinnamasta is a goddess of contradictions. She symbolises both aspects of Devi: a life-giver and a life-taker. She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation. She represents death, temporality, and destruction as well as life, immortality, and recreation. The goddess conveys spiritual self-realization and the awakening of the kundalini – spiritual energy. The legends of Chhinnamasta emphasise her self-sacrifice – sometimes coupled with a maternal element – sexual dominance, and self-destructive fury. (Full article...)
  • Image 18 Manjappada (transl. Yellow Army; Malayalam: [mɐɲːɐpːɐɖɐ] ⓘ) is an organised supporters' group of the Kochi-based professional football club Kerala Blasters FC, which competes in the Indian Super League, the top-tier league of Indian football. One of the largest and most active sports fan groups in the country, Manjappada received the Indian Sports Honours Fan Club of the Year award three times, in 2017, 2019 and 2024. Founded in 2014 as a Facebook page, Manjappada later expanded and have branches in each of Kerala's 14 districts and in 12 other Indian states; Keralites in 64 other countries are also part of the group. Manjappada is also known for having one of the largest groups of travelling fans in the country, and their presence in the stadium is often called a yellow sea as they wear as much yellow as possible during the matches of the Blasters. In the 2022–23 Indian Super League season, they displayed a 11752 sq ft tifo, which is now far the second largest tifo displayed during a football match in Asia. (Full article...)
    Manjappada (transl. Yellow Army; Malayalam: [mɐɲːɐpːɐɖɐ] ⓘ) is an organised supporters' group of the Kochi-based professional football club Kerala Blasters FC, which competes in the Indian Super League, the top-tier league of Indian football. One of the largest and most active sports fan groups in the country, Manjappada received the Indian Sports Honours Fan Club of the Year award three times, in 2017, 2019 and 2024.

    Founded in 2014 as a Facebook page, Manjappada later expanded and have branches in each of Kerala's 14 districts and in 12 other Indian states; Keralites in 64 other countries are also part of the group. Manjappada is also known for having one of the largest groups of travelling fans in the country, and their presence in the stadium is often called a yellow sea as they wear as much yellow as possible during the matches of the Blasters. In the 2022–23 Indian Super League season, they displayed a 11752 sq ft tifo, which is now far the second largest tifo displayed during a football match in Asia. (Full article...)
  • Image 19 King of Bollywood is a biography by the film critic and journalist Anupama Chopra, chronicling the life and career of Shah Rukh Khan. The book describes his personal life such as his birth in 1965 in New Delhi and his marriage to Gauri Chibber in 1991. The book also outlines his career as an actor, film producer, and television presenter. It was published by Grand Central Publishing on 9 August 2007 and became a commercial success. Its critical reception was positive, with Chopra's writing garnering appreciation. Chopra came up the idea of the book while writing for Dilwale Dulhania Le Jayenge (2002), about the 1995 film of the same name. In the summer of 2003, she told him about the project; although his initial reaction was reluctant, Chopra tried to persuade him for around six months and Khan eventually changed his mind. The book took three years to complete, with Chopra meeting Khan's close friends, school teachers, and collaborators in her writing process. (Full article...)
    King of Bollywood is a biography by the film critic and journalist Anupama Chopra, chronicling the life and career of Shah Rukh Khan. The book describes his personal life such as his birth in 1965 in New Delhi and his marriage to Gauri Chibber in 1991. The book also outlines his career as an actor, film producer, and television presenter. It was published by Grand Central Publishing on 9 August 2007 and became a commercial success. Its critical reception was positive, with Chopra's writing garnering appreciation.

    Chopra came up the idea of the book while writing for Dilwale Dulhania Le Jayenge (2002), about the 1995 film of the same name. In the summer of 2003, she told him about the project; although his initial reaction was reluctant, Chopra tried to persuade him for around six months and Khan eventually changed his mind. The book took three years to complete, with Chopra meeting Khan's close friends, school teachers, and collaborators in her writing process. (Full article...)
  • Image 20 Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
    Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
  • Image 21 Cluster of temples in the southern part of Jagannath temple complex, including the Vimala temple (extreme right). c. 1890. The Vimala temple or Mãā Bimåḷā Deuḷå (Odia - ମାଁ ବିମଳା ଦେଉଳ) is a Hindu temple dedicated to goddess Vimala or Bimala (ବିମଳା), located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakta pitha, among the holiest temples dedicated to the Hindu Goddess. The temple is located in the south-west corner of the inner enclosure of the Jagannath temple complex and on the western corner of the tower of Jagannath, next to the sacred pond Rohini kunda. The temple faces east and is built of sandstone and laterite. It is built in the Deula style with four components; vimana (structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The temple was renovated around 2005 and is maintained by the Archaeological Survey of India, Bhubaneswar Circle. (Full article...)

    Cluster of temples in the southern part of Jagannath temple complex, including the Vimala temple (extreme right). c. 1890.

    The Vimala temple or Mãā Bimåḷā Deuḷå (Odia - ମାଁ ବିମଳା ଦେଉଳ) is a Hindu temple dedicated to goddess Vimala or Bimala (ବିମଳା), located within the Jagannath Temple complex in Puri in the Indian state of Odisha. It is generally regarded as a Shakta pitha, among the holiest temples dedicated to the Hindu Goddess.

    The temple is located in the south-west corner of the inner enclosure of the Jagannath temple complex and on the western corner of the tower of Jagannath, next to the sacred pond Rohini kunda. The temple faces east and is built of sandstone and laterite. It is built in the Deula style with four components; vimana (structure containing the sanctum), jagamohana (assembly hall), nata-mandapa (festival hall) and bhoga-mandapa (hall of offerings). The temple was renovated around 2005 and is maintained by the Archaeological Survey of India, Bhubaneswar Circle. (Full article...)
  • Image 22 An Airbus A350 of Air India Air India is the flag carrier of India with its main hub at Indira Gandhi International Airport in Delhi, and secondary hubs at Kempegowda International Airport in Bengaluru and Chhatrapati Shivaji Maharaj International Airport in Mumbai, alongside several focus cities across India. Headquartered in Gurugram, the airline is owned by Air India Limited, which is owned by the Tata Group and Singapore Airlines. As of November 2024, the airline serves 102 domestic and international destinations operating a variety of Airbus and Boeing aircraft and is the second-largest airline in India in terms of passengers carried after IndiGo. Air India became the 27th member of Star Alliance on 11 July 2014. Founded in 1932 as Tata Airlines by J. R. D. Tata, Tata himself flew its first single-engine de Havilland Puss Moth, carrying air mail from Karachi to Bombay's Juhu aerodrome and later continuing to Madras (currently Chennai). After World War II, it was nationalised by the Government of India in 1953 and was renamed Air India. On 21 February 1960, it took delivery of its first Boeing 707 named Gauri Shankar and became the first Asian airline to induct a jet aircraft in its fleet. In 2000–01, attempts were made to privatise Air India and from 2006 onwards, it suffered losses after its merger with Indian Airlines. Another privatization attempt was launched in 2017, which concluded with ownership of the airline and associated properties return to the Tata Group after 69 years in 2022. (Full article...)

    An Airbus A350 of Air India

    Air India is the flag carrier of India with its main hub at Indira Gandhi International Airport in Delhi, and secondary hubs at Kempegowda International Airport in Bengaluru and Chhatrapati Shivaji Maharaj International Airport in Mumbai, alongside several focus cities across India. Headquartered in Gurugram, the airline is owned by Air India Limited, which is owned by the Tata Group and Singapore Airlines. As of November 2024, the airline serves 102 domestic and international destinations operating a variety of Airbus and Boeing aircraft and is the second-largest airline in India in terms of passengers carried after IndiGo. Air India became the 27th member of Star Alliance on 11 July 2014.

    Founded in 1932 as Tata Airlines by J. R. D. Tata, Tata himself flew its first single-engine de Havilland Puss Moth, carrying air mail from Karachi to Bombay's Juhu aerodrome and later continuing to Madras (currently Chennai). After World War II, it was nationalised by the Government of India in 1953 and was renamed Air India. On 21 February 1960, it took delivery of its first Boeing 707 named Gauri Shankar and became the first Asian airline to induct a jet aircraft in its fleet. In 2000–01, attempts were made to privatise Air India and from 2006 onwards, it suffered losses after its merger with Indian Airlines. Another privatization attempt was launched in 2017, which concluded with ownership of the airline and associated properties return to the Tata Group after 69 years in 2022. (Full article...)
  • Image 23 Darjeeling The Mountain railways of India are the railway lines that were built in the mountainous regions of India. The term mainly includes the narrow-gauge railways in these regions but may also include some broad-gauge railways. Three of the lines, the Darjeeling Himalayan Railway, the Nilgiri Mountain Railway, and the Kalka–Shimla Railway, are collectively designated as a UNESCO World Heritage Site under the name "Mountain Railways of India". Two more, the Matheran Hill Railway and the Kangra Valley Railway, are on the tentative list of UNESCO World Heritage Sites. The Nilgiri Mountain Railway is also the only rack and pinion railway in India. (Full article...)

    Darjeeling

    The Mountain railways of India are the railway lines that were built in the mountainous regions of India. The term mainly includes the narrow-gauge railways in these regions but may also include some broad-gauge railways.

    Three of the lines, the Darjeeling Himalayan Railway, the Nilgiri Mountain Railway, and the Kalka–Shimla Railway, are collectively designated as a UNESCO World Heritage Site under the name "Mountain Railways of India". Two more, the Matheran Hill Railway and the Kangra Valley Railway, are on the tentative list of UNESCO World Heritage Sites. The Nilgiri Mountain Railway is also the only rack and pinion railway in India. (Full article...)
  • Image 24 Jet Airways Limited, trading as Jet Airways, was an Indian full-service airline based in Delhi, with a training and developmental centre in Mumbai. Incorporated in April 1993 as a limited liability company, the airline began operations as an air taxi operator in 1993. It began full operations in 1995, with international flights introduced in 2004. The airline went public in 2005 and in 2007, when it acquired Air Sahara. The airline was expected to re-commence its flight operations by the end of 2024, which would have made it the first Indian airline to be revived after ceasing operations. On 7 November, 2024, the liquidation of the airline was ordered by the Supreme Court of India. It grew to be one of the largest airlines in India, with a 21.2% passenger market share in February 2016. Jet Airways operated over 300 flights daily to 74 destinations worldwide from its former main hub at Chhatrapati Shivaji Maharaj International Airport in Mumbai and secondary hubs at Chennai International Airport in Chennai, Indira Gandhi International Airport in New Delhi, Kempegowda International Airport in Bangalore, Cochin International Airport in Kochi and Netaji Subhas Chandra Bose International Airport in Kolkata. (Full article...)
    Jet Airways Limited, trading as Jet Airways, was an Indian full-service airline based in Delhi, with a training and developmental centre in Mumbai. Incorporated in April 1993 as a limited liability company, the airline began operations as an air taxi operator in 1993. It began full operations in 1995, with international flights introduced in 2004. The airline went public in 2005 and in 2007, when it acquired Air Sahara. The airline was expected to re-commence its flight operations by the end of 2024, which would have made it the first Indian airline to be revived after ceasing operations. On 7 November, 2024, the liquidation of the airline was ordered by the Supreme Court of India.

    It grew to be one of the largest airlines in India, with a 21.2% passenger market share in February 2016. Jet Airways operated over 300 flights daily to 74 destinations worldwide from its former main hub at Chhatrapati Shivaji Maharaj International Airport in Mumbai and secondary hubs at Chennai International Airport in Chennai, Indira Gandhi International Airport in New Delhi, Kempegowda International Airport in Bangalore, Cochin International Airport in Kochi and Netaji Subhas Chandra Bose International Airport in Kolkata. (Full article...)
  • Image 25 Ratnam in 2015 Gopalaratnam Subramaniam (born 2 June 1956), known professionally as Mani Ratnam, is an Indian film director, film producer and screenwriter who predominantly works in Tamil cinema and a few Hindi, Telugu, Malayalam and Kannada films. He has won seven National Film Awards, four Filmfare Awards, six Filmfare Awards South, and numerous awards at various film festivals across the world. In 2002, the Government of India honoured him with the Padma Shri, acknowledging his contributions to film. (Full article...)

    Ratnam in 2015

    Gopalaratnam Subramaniam (born 2 June 1956), known professionally as Mani Ratnam, is an Indian film director, film producer and screenwriter who predominantly works in Tamil cinema and a few Hindi, Telugu, Malayalam and Kannada films.

    He has won seven National Film Awards, four Filmfare Awards, six Filmfare Awards South, and numerous awards at various film festivals across the world. In 2002, the Government of India honoured him with the Padma Shri, acknowledging his contributions to film. (Full article...)
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News

20 March 2025 –
Social media company X files a lawsuit against the government of India alleging that the Indian government is censoring the social media platform along with other information. (DW)
18 March 2025 – 2025 Nagpur violence
A curfew is imposed in parts of Nagpur in Maharashtra, India, after Hindu groups demanded the removal of the tomb of Aurangzeb, a 17th-century Mughal emperor, sparking violence. (BBC News)
9 March 2025 –
In international cricket, India wins the 2025 ICC Champions Trophy by defeating New Zealand in the final. (AP)
7 March 2025 – 2025 United States federal mass layoffs
The Native American Rights Fund, on behalf of five Indigenous American students and three tribes, the Cheyenne and Arapaho Tribes, the Prairie Band Potawatomi Nation, and the Pueblo of Isleta, file a lawsuit against the United States Department of the Interior and the Bureau of Indian Education (BIE) for alleged wrongful dismissals of BIE schoolteachers. (AP)
28 February 2025 – 2024–25 South-West Indian Ocean cyclone season
Three people are killed as tropical cyclone Garance makes landfall in Réunion in the Indian Ocean. (AP)

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